Lucie Peyramaure Soprano
Biography“The highly promising Lucie Peyramaure tore at the heartstrings with a deeply moving rendition of ‘Pace, Pace mio Dio’ (from Verdi's La Forza del Destino).”
Classiquenews, 2025
Lyric-dramatic soprano Lucie Peyramaure has established herself as one of the most notable French voices of her generation. Her ample, warm timbre, refined vocal line, and ease in the great lyric repertoire have led her to take on major roles in Puccini, Wagner, and French Romantic opera.
“French singer Lucie Peyramaure also combines warmth and conciseness in her rich soprano voice. A darker tone repeatedly mingles with her dramatic passages, which at least musically reinforces the character's enigmatic treatment by the director.”
Die Deutsche Bühne, 2024
Her recent role debut as Mimì in Puccini’s La Bohème, presented in Nancy, Dijon, Luxembourg, Reims, and Caen, marked an important milestone in her career. Opéra Magazine praised “a very fine role debut as Mimì,” highlighting “a particularly seductive timbre in the lower register,” “delicate, spun high notes,” and an interpretation that “makes her final fading all the more poignant.”
A graduate of the Conservatoire national supérieur de musique et de danse de Paris, Lucie Peyramaure won both the Grand Prix and the Audience Prize at the Marmande International Singing Competition in 2022. She emerged on stage in the role of Aza in Paderewski’s Manru at the Opéra national de Lorraine, then continued her path with the title role in Tosca at the Opéra de Freiburg im Breisgau, Freia (Das Rheingold) and Helmwige (Die Walküre) at Theater Basel, as well as Ottavio in Monteverdi’s Il Nerone with the Académie de l’Opéra national de Paris.
Her repertoire also includes Marguerite in Berlioz’s La Damnation de Faust, the title role in Gluck’s Alceste, Diane in Iphigénie en Tauride at the Opéra national de Lorraine, the title role in Samaras’s Medgé at the Olympia Theatre in Athens with the Athens Philharmonia Orchestra, as well as collaborations with the Théâtre du Châtelet, Bayerischer Rundfunk, Opéra Comique, and Opéra de Dijon.
In concert, she notably performs the soprano part in Verdi’s Requiem in Konstanz, Mozart’s Requiem, Duruflé’s Requiem, Poulenc’s Gloria, Dvořák’s Stabat Mater, Ravel’s Chansons madécasses, and Rossini’s Petite Messe solennelle. She also appears in recital at the Chorégies d’Orange, the Opéra national de Bordeaux, the Festival Les Nuits Lyriques de Marmande, and the International Festival of Cadaqués.
Her upcoming engagements include Charlotte in Massenet’s Werther at the theaters of Rennes, Caen, Angers, and Nantes, Gertrude in Ambroise Thomas’s Hamlet at the Opéra de Ténérife, as well as the Foreign Princess in Rusalka at Theater Basel.
