Press
Concert des Révélations 2026
Read the articleOlyrix – Eva Bavant06/07/2026“Lucie Peyramaure asserts a distinctive vocal personality from her very first entries. Her voice, warm and dense in color, is marked by solid projection that immediately gives the melodic lines relief. The singer deploys a powerful emission, with dramatic coloring that brings substantial grounding to the works performed. Her ample timbre allows long phrases to retain their intensity while maintaining a constant presence in the acoustic space.”
Translated from FrenchVictoires de la musique classique 2026
Read the articleFigaro – Thierry Hillériteau03/21/2026“Or Vissi d’arte sung by Lucie Peyramaure, which confirmed that she is indeed one of our great Puccini interpreters in the making.”
Translated from FrenchDijon, La Bohème
Read the articleOpéra Online – Alain Duault03/17/2026“Yet the great voice of this cast, the one around which everything turns, is of course Mimì, and that Mimì is Lucie Peyramaure. We have been following this great French lirico-dramatic soprano for some time, a voice now rare in France since the distant memory of Régine Crespin: the timbre is rich, filled with sheen and color, the line never heavy but always expressive; everything is said, yet nothing is ever overemphasized. Above all, Lucie Peyramaure invests her character with emotional power that polarizes each act: a great Mimì, a great voice, for many the lyrical revelation of the year, and the beginning of a career that will soon shine widely. So much the better. She gives this performance an added dimension, that of a great lady who can also be a touching seamstress, because she is already that kind of interpreter who makes the heart beat. She is therefore the perfect emblem of this “beating heart” that the Opéra de Dijon seeks to bring to life!”
Translated from FrenchDijon, La Bohème
Read the articleOlyrix – Rafael Mogollón03/13/2026“Lucie Peyramaure portrays a vocally very precise Mimì. Her generous voice and keen sense of nuance allow her to shape lines with finesse. Far from the traditional image of a fragile, ingenuous young woman, her interpretation presents a more determined Mimì, in keeping with the production’s dramaturgical vision.”
Translated from FrenchCaen, La Bohème
Read the articleOlyrix – Florian Villain-Carapella02/16/2026“For her part, Lucie Peyramaure embodies a Mimì far removed from the fragility usually associated with the role: her ample voice, rich in resources, is never found wanting. She deploys a broad palette of nuances, an assertive presence in the middle register, and an extension that seems limitless, offering a solid, fully embodied vocal reading of the character.”
Translated from FrenchNancy, La Bohème
Read the articleOpéra Magazine01/05/2026“Lucie Peyramaure delivers a very fine role debut as Mimì. The timbre, particularly seductive in the lower register, gives the character rare density; the delicate, spun high notes naturally extend the line. This Mimì, never merely sacrificial, lives in contrasts, making her final fading all the more poignant.”
Translated from FrenchNancy, La Bohème
Read the articleOpéra Online – Thibault Vicq12/21/2025“With Lucie Peyramaure, we hear a telluric Mimì in perfect sync with the orchestra, and one for whom the unruly line is set by her and her alone.”
Translated from FrenchNancy, La Bohème
Read the articlePremière Loge – Pierre Brévignon12/19/2025“The Limoges-born soprano confirms the hopes placed in her since Paderewski’s Manru (Nancy, 2003): a rich voice offering strong support in the lower register, intelligence in her verismo approach to singing, and an unlimited palette of nuances. Facing the four braggarts around her, she aptly portrays a more humble character, without artistic or intellectual weapons to confront poverty.”
Translated from FrenchNancy, La Bohème
Read the articleForum Opera – Catherine Jordy12/18/2025“Lucie Peyramaure confidently embodies a strong-willed Mimì, with a full, round, well-focused voice, in insolent health considering the role, yet she is more than convincing as a dying woman of unbreakable courage. We cry at nearly every one of her appearances.”
Translated from FrenchNancy, La Bohème
Read the articleWebtheatre – Jaime Estapà i Argemí12/18/2025“Lucie Peyramaure (Mimì) displays a voice in enviable condition: firm, powerful, with a seductive timbre, perfectly controlled in both low and high registers. She gives the heroine a vocally balanced embodiment. But it is in the most accomplished moment of her performance (Mimì’s agony) that she electrifies the hall, sustaining the text at mezza voce with remarkable dramatic conviction and deliberately reduced vocal means. She creates the emotional peak of the evening.”
Translated from FrenchNancy, La Bohème
Read the articleDiapason – Julia Le Brun12/17/2025“Lucie Peyramaure makes the most of this dark, elegiac atmosphere. Her full, vibrant, eloquent soprano unfolds with suppleness and naturalness. She offers a poignant and delicately nuanced Donde lieta uscì, and shapes a rather resilient Mimì, all tenderness, if not passion.”
Translated from FrenchNancy, La Bohème
Read the articleResMusica – Michel Thomé12/16/2025“Lucie Peyramaure is deeply moving as a strong-willed Mimì, less submissive than usual yet still battered by fate. One might prefer fuller voices, but she brilliantly meets the role’s vocal challenges and moves us through the variations of intensity and color she brings, as well as through perfectly natural acting.”
Translated from FrenchNancy, La Bohème
Read the articleSceneweb – Christophe Candoni12/16/2025“The French soprano Lucie Peyramaure portrays an ideally poignant Mimì.”
Translated from FrenchNancy, La Bohème
Read the articleClassykeo – Romaric Gergorin12/15/2025“The radiant soprano Lucie Peyramaure, with her clear and ample timbre”
Translated from FrenchNancy, La Bohème
Read the articleOlyrix – Patrick Delacour12/15/2025“Vocally, the cast is dominated by the radiant Mimì of aptly named Lucie Peyramaure, already heard here in Paderewski’s Manru. Her dramatic soprano might seem somewhat oversized for the role of fragile Mimì, but the delicacy of her singing and the subtlety of her nuances more than make up for the absence of the vocal shimmer that characterizes Mimìs of the great tradition.”
Translated from FrenchChorégies d’Orange, Musiques en fêtes
Read the articleClassiquenews – Emmanuel Andrieu06/21/2025“The highly promising Lucie Peyramaure tore at the heartstrings with a deeply moving rendition of ‘Pace, Pace mio Dio’ (from Verdi's La Forza del Destino).”
Translated from FrenchParis, Peer Gynt
Read the articleOlyrix – Philippe Scagni03/11/2025“Lucie Peyramaure distills, with her central, coppery soprano voice, solid performances thanks to her sharp midrange.”
Translated from FrenchParis, Peer Gynt
Read the articleOpera Online – Alain Duault03/08/2025“Lucie Peyramaure as Ingrid, with that distinctive amber tone that always stands out”
Translated from FrenchFreiburg, Tosca
Read the articleDie Deutsche Bühne – Georg Rudiger09/30/2024“French singer Lucie Peyramaure also combines warmth and conciseness in her rich soprano voice. A darker tone repeatedly mingles with her dramatic passages, which at least musically reinforces the character's enigmatic treatment by the director.”
Translated from GermanParis, Nabucco
Read the articleDiapason – Julia Le Brun04/09/2024“Lucie Peyramaure's Anna stands out for the purity of her soprano voice.”
Translated from FrenchParis, Nabucco
Read the articleRésonnances Lyriques – A. P.04/04/2024“As for Anna, she was sung by Lucie Peyramaure, a young artist with very promising talent.”
Translated from FrenchBordeaux, recital
Read the articleOlyrix – Olivier Delaunay03/25/2024“Lucie Peyramaure has found the right balance between flexibility and expressiveness”
Translated from FrenchBasel, Das Rheingold
Read the articleOpera Gazet – Christian Jaeger10/13/2023“Lucie Peyramaure's performance as Freia was impressive in terms of sound, with a powerful, dramatic voice that one would also like to hear in the roles of Senta or Elisabeth.”
Translated from GermanBasel, Das Rheingold
Read the articleOnline Merker – Michael Hug09/26/2023“Lucie Peyramaure shines as Freia”
Translated from GermanBasel, Das Rheingold
Read the articleResMusica – Jean-Luc Clairet09/26/2023“Freia reveals Lucie Peyramaure's brilliant timbre”
Translated from FrenchBasel, Das Rheingold
Read the articleDas Opernagazin – Michael Hug09/25/2023“With Solenn Lavanant Linke as his wife Fricka and Lucie Peyramaure as her sister Freia, these roles are very well cast.”
Translated from GermanBasel, Das Rheingold
Read the articleAltaMusica – Thomas Deschamps09/23/2023“French singer Lucie Peyramaure seems to have a voice that is already too big for Freia.”
Translated from FrenchBasel, Das Rheingold
Read the articlePeter Hagmann09/22/2023“Fricka's sister Freia, who for once is not sung by a soubrette, but by Lucie Peyramaure with her pointed vocal presence.”
Translated from GermanBasel, Das Rheingold
Read the articleOnline Merker – Alex Eisinger09/20/2023“Lucie Peyramaure as Freia attracted attention with her youthful, rich soprano voice.”
Translated from German